dc.contributor.advisor | Speed, Chris | en |
dc.contributor.advisor | Biggs, Simon | en |
dc.contributor.author | Wood, David Alexander | en |
dc.date.accessioned | 2017-07-18T11:13:58Z | |
dc.date.available | 2017-07-18T11:13:58Z | |
dc.date.issued | 2016-11-24 | |
dc.identifier.uri | http://hdl.handle.net/1842/22882 | |
dc.description.abstract | This practiced-based thesis examines how a new Visual Communication
methodology helps interaction designers to improve their future designs.
This is achieved by engaging in creating visual interpretations from a lived
experience that they need to design for, to reveal the phenomenological essence
of what users have actually experienced, rather than what they say they
have. This new Visual Phenomenological Methodology (VPM) places interaction
designers into a specific communicational situation, in order to understand
the phenomena of users’ lived experience ‘through their eyes.’ Thus
immersed, interaction designers montage visual interpretations of what users
saw/felt/did in the lived experience.
The VPM facilitates interaction designers into designer-interpreters, who
can interpret sensory data into a behavioural story of what its like to be the
user in a lived experience. This thesis has developed the VPM across three peer
reviewed, practice-based projects, using a synthesis of the pragmatic semiotics
of Peirce, Hermeneutic Phenomenology, and visual communication techniques.
Following the Frascaran view that the design discipline of Visual Communication
(graphic design and illustration) is a positive facilitator of behavioural change,
the VPM employs this hermeneutic-semiosis synthesis to facilitate interaction
designers to develop a deeper and emergent understanding of the hidden
motivations behind user behaviour.
Through a contextual review into Visual Communication, Interaction Design,
Phenomenology and Semiosis, this thesis develops the VPM from a theoretical
concept, to a set of designer-friendly method cards that interaction designers
can employ during their ideation phase. Throughout its development the VPM
and its method cards were workshopped and peer reviewed by interaction
designers. This thesis, over the following seven chapters, demonstrates how
the VPM successfully provided Visual Communication design with a fresh way
to re-influence Interaction Design, as a new contribution to knowledge. | en |
dc.language.iso | en | |
dc.publisher | The University of Edinburgh | en |
dc.relation.hasversion | WOOD, D. (2009) Interaction Design: Where’s the Graphic Designer in the Graphical User Interface?. In: The Proceedings of the International Association of Societies of Design Research. IASDR 2009, 18-22 October, Seoul, Korea. Republic of Korea, p135. | en |
dc.relation.hasversion | WOOD, D. (2010) Moving Across The Boundaries: Visual Communication Repositioned In Support of Interaction Design. In: J. BONNER, M. SMYTH, S. O’NEILL, and C. MIVAL, (Eds). The Proceedings of Create 10: the Interaction Design Conference, June 30 - July 2nd, 2010, Edinburgh, UK. London: The Institute Of Ergonomics And Human Factors, BCS The Chartered Institute For IT Interaction Specialist Group and Edinburgh Napier University, pp27-32. | en |
dc.relation.hasversion | WOOD, D. (2011) A Can of Worms: Has Visual Communication a Position of Influence on Aesthetics of Interaction?. Design Principles and Practices: An International Journal. 5(3). pp463-476 | en |
dc.relation.hasversion | WOOD, D. (2014) Visually Interpreting Experience: Circle of Visual Interpretation Methodology. In: The Proceedings of Interacción 2014 XV International Conference on Human Computer Interaction, 10 - 12 September, Puerto de la Cruz, Tenerife, Spain. ACM, New York, NY, USA, Article No.: 100. | en |
dc.rights | Attribution-NonCommercial-ShareAlike 4.0 International | en |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/4.0/ | |
dc.subject | visual communication | en |
dc.subject | semiosis | en |
dc.subject | hermeneutic phenomenology | en |
dc.subject | C. S. Peirce | en |
dc.subject | pragmatism | en |
dc.subject | visual hermeneutic circle | en |
dc.subject | hermeneutic-semiosis | en |
dc.title | Visual phenomenological methodology: the repositioning of visual communication design as a fresh influence on interaction design | en |
dc.type | Thesis or Dissertation | en |
dc.type.qualificationlevel | Doctoral | en |
dc.type.qualificationname | PhD Doctor of Philosophy | en |