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Towards Warsaw of the future: exhibiting, archiving and moving through architectural imaginaries

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Lesniak2017 vol1.pdf (249.0Mb)
Lesniak2017 vol2.pdf (78.46Mb)
Date
04/07/2017
Item status
Restricted Access
Embargo end date
04/07/2019
Author
Lesniak, Piotr Jerzy
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Abstract
Thesis argument There is a Culture of Violent Reductivism in Representing Warsaw, which means that: Warsaw is reduced to a symbol of heroism in the hands of God/History or the Expert; imagining is reduced to historic imaginary and by the same token futuristic imaginary; both based on a positivist-romanticist system of thought; the reductivism deploys philosemiotic violence (acts of offering with expectations attached); the reductivism/violence is a symptom of a ‘neurosis’ of the social national/imaginary; the reductivism stops Warsaw/Poland from imagining present and future more openly. An alternative is to represent Warsaw as a series of post-historical objects that: are discrete texts, singular images, drawings, physical objects; are paradigmatic and analogical; they move from specificity to specificity; offer different forms, where ‘form’ is non-objective and means relationship; are a series of critiques, reflections, descriptions that work as architectural hypotheses; represent three exemplar imaginaries of Warsaw (the Birth, the Rebirth, the Second Rebirth); together form a ‘distracted’ architectural archive of Warsaw’s imaginaries. In this way, the thesis posits an example of a methodology of representing Warsaw that opens the possibility for Warsaw/Poland to imagine itself differently. Key themes Culture of violent reductivism in representing Warsaw, reduction of Warsaw to a symbol of heroism, domination of the historic futuristic imaginary, philosemi(o)tic violence, neurosis of the social imaginary (guilt), positivist romanticism, post-historical object, paradigmatic knowledge, non-objective form, seriality of representation, architectural hypothesis, three imaginaries of Warsaw, ‘distracted’ archive of imaginaries
URI
http://hdl.handle.net/1842/22998
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  • Edinburgh College of Art thesis and dissertation collection

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