dc.contributor.advisor | Bayne, Sian | en |
dc.contributor.advisor | Ross, Jen | en |
dc.contributor.author | Lamb, James Iain | en |
dc.date.accessioned | 2019-11-27T11:55:56Z | |
dc.date.available | 2019-11-27T11:55:56Z | |
dc.date.issued | 2019-11-28 | |
dc.identifier.uri | https://hdl.handle.net/1842/36556 | |
dc.description.abstract | This thesis is concerned with the relationship between digital technology and the learning
spaces of higher education. Across an academic year I observed and documented the
learning spaces and practices that were emergent within undergraduate courses in
American History and Architectural Design at a UK university. Drawing on field recordings,
photographs and conversations with students and staff, and supported by theoretical
work in sociomateriality, digital technologies were shown to be deeply implicated in the
negotiation of learning spaces across and beyond the campus.
I make three central arguments within this thesis. First, the presence and positioning of
digital technologies within the classroom enacts particular epistemologies and power
dynamics, although this manifests differently across courses of study. Second, the flow of
data, combined with the proliferation of networked technologies, reconfigure the
boundaries of the campus, as a single setting comes to accommodate a range of spatial
identities. Third, digital technologies are complicit in the neoliberalisation and
commodification of learning spaces, and the educational practices that are performed in
those settings. In order to make these arguments I have looked to the critical and
methodological value of sound, often in conjunction with images and other data. Sonic
methods and materials have been largely overlooked within education research and yet,
as I demonstrate, the digital reproduction of sound helps academic staff to enact authority
over a classroom, and supports students as they seek to establish and configure
personalised learning spaces. In giving due attention to the role of the audible within my
research, this thesis is presented in richly multimodal form where argumentation is
advanced through a juxtaposition of written commentary, photography and field
recordings.
This thesis make an original contribution to scholarship in digital education, sound studies
and social science methodology. Further value is to be found in the potential to inform the
thinking and practice of designers, teachers, educational technologists and institutional
managers as they conceptualise and construct spaces for learning. | en |
dc.contributor.sponsor | Economic and Social Research Council (ESRC) | en |
dc.language.iso | en | |
dc.publisher | The University of Edinburgh | en |
dc.relation.hasversion | Bayne, S., Gallagher, M. S., & Lamb, J. (2013). Being ‘at’ university: the social topologies of distance students. Higher Education, 67(5), 569-583. doi:10.1007/s10734-013-9662-4 | en |
dc.relation.hasversion | Gallagher, M. S., Lamb, J., & Bayne, S. (2016). The Sonic Spaces of Online Distance Learners. In L. Carvalho, P. Goodyear, & M. de Laat (Eds.), Place-based spaces for networked learning (pp. 87-99). New York: Routledge | en |
dc.relation.hasversion | Lamb, J. (2018). To Boldly Go: Feedback as Digital, Multimodal Dialogue. Multimodal Technologies and Interaction, 2(3), 49. doi:10.3390/mti2030049 | en |
dc.relation.hasversion | Lamb, J., Gallagher, M. S., & Knox, J. (2018). On an excursion through EC1: multimodality, ethnography and urban walking. Qualitative Research, 19(1), 55-70. doi: 10.1177/1468794118773294 | en |
dc.subject | learning space | en |
dc.subject | sound | en |
dc.subject | sociomateriality | en |
dc.subject | digital education | en |
dc.title | Space, sociomateriality, sound. The learning spaces of higher education | en |
dc.type | Thesis or Dissertation | en |
dc.type.qualificationlevel | Doctoral | en |
dc.type.qualificationname | PhD Doctor of Philosophy | en |