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Re-contextualization of culturally fused musical signifiers within a contemporary creative practice via means of transcription and mimicry

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MastrantonisA_2022.pdf (11.65Mb)
Date
15/03/2022
Author
Mastrantonis, Aggelos
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Abstract
LIST OF WORKS: Title #1: Shoggoth. Duration: 11’. Instrumentation: Clarinet, Piano, Violin. Date Completed: 2017 (Rev. 2020). Date of 1st Performance: 04/09/2020. Title #2: Assimilation/Dissimulation. Duration: 13’. Instrumentation: Clarinet, Piano, Violin I, Violin II, Viola, Cello, Double Bass, Tape, Live Electronics. Date Completed: 2019. Date of 1st Performance: 21/02/2019. Title #3: Chère Leonore. Duration: 8’. Instrumentation: Piano. Date Completed: 2019. Date of 1st Performance: 26/11/2019. Title #4: Two Preludes for Lama Bada Yatathana. Duration: 10’. Instrumentation: Flute, Clarinet, Piano, Violin I, Violin II, Viola, Cello, Double Bass. Date Completed: 2020. Date of 1st Performance: 27/02/2020. Title #5: Diplochordo. Duration: 6’. Instrumentation: Violin. Date Completed: 2021. Date of 1st Performance: (unperformed). Title #6: Gottica Perpetua. Duration: 18’. Instrumentation: Flute (doubl. Piccolo), Oboe, Clarinet, Bassoon, Horn in F, Trumpet in B-flat, Percussion I & II, Accordion, Piano, Violin I Violin II, Viola, Cello, Double Bass. Date Completed: 2021. Date of 1st Performance: (unperformed).
URI
https://hdl.handle.net/1842/38726

http://dx.doi.org/10.7488/era/1982

https://datasync.ed.ac.uk/index.php/s/vWdckuAJo2Io0Ce

https://datasync.ed.ac.uk/index.php/s/hU4puah3ATgrjCV
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  • Edinburgh College of Art thesis and dissertation collection

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