dc.contributor.advisor | Forbes, Karen | en |
dc.contributor.advisor | Hammer, Martin | en |
dc.contributor.advisor | Mulholland, Neil | en |
dc.contributor.advisor | Patrizio, Andrew | en |
dc.contributor.author | Greated, Marianne | en |
dc.date.accessioned | 2014-10-07T14:19:16Z | |
dc.date.available | 2014-10-07T14:19:16Z | |
dc.date.issued | 2014-06-27 | |
dc.identifier.uri | http://hdl.handle.net/1842/9480 | |
dc.description.abstract | The thesis explores how painting is affected by its sonic environment. The research stems
from an artistic response to noise in the environment and how this can be explored through
artistic practice. The boundaries of art have and continue to be challenged as visual art has
embraced an increasing range of approaches. This research explores the visual experience of
viewing a painting alongside the all-encompassing time based nature of a sonic experience
and readdresses the way painting operates within its own sound environment. It asks how
these different elements can affect the reading of one another and in particular focuses on
installations in extreme acoustic spaces, such as anechoic and reverberation chambers. It
investigates how introducing sound to the painting arena can affect the reading and also
transform the parameters of the painting.
The research is practice-based and takes the form of a series of exhibitions, latterly in the
form of site-specific installations, which have been evaluated, interpreted and responded to.
This has led to a fundamental investigation, both practical and theoretical, into the way that
sound and vision work together and how they relate within the context of art. Through the
research the format of the painting developed in tandem with the temporal and audio
considerations, resulting in all-encompassing installations bringing together panoramic
paintings and 3D soundscapes. | en |
dc.contributor.sponsor | Engineering and Physical Sciences Research Council (EPSRC) | en |
dc.contributor.sponsor | Danish Cultural Institute | en |
dc.language.iso | en | |
dc.publisher | The University of Edinburgh | en |
dc.relation.hasversion | Greated, M., 2009. The Nature of Sound and Vision in Relation to Colour. Inspiration for Design; Special Issue of Optics and Laser Technology. | en |
dc.relation.hasversion | Greated M, Zvuk, Design and Nature, Volume 4, Number 3, 2009 | en |
dc.relation.hasversion | Greated M and Greated C, Artists and Scientists Working Together, Institute of Acoustics Bulletin 2009 | en |
dc.relation.hasversion | Greated M, SOUND: A collaborative approach between art and science, 33rd International Acoustical Conference, Slovakia 2006 | en |
dc.relation.hasversion | Greated CA, Campbell M, Greated M, A Sound Art Exhibition, Forum Acusticum, Budapest 2005, 4th European Congress on Acoustics | en |
dc.subject | painting | en |
dc.subject | panoramic installations | en |
dc.subject | sound art | en |
dc.subject | soundscape | en |
dc.subject | expanded field | en |
dc.subject | practice-based | en |
dc.title | Painting in a sonic environment | en |
dc.type | Thesis or Dissertation | en |
dc.type.qualificationlevel | Doctoral | en |
dc.type.qualificationname | PhD Doctor of Philosophy | en |