dc.contributor.advisor | Overy, Katie | |
dc.contributor.advisor | Campbell, Katherine | |
dc.contributor.author | French, Gillian | |
dc.date.accessioned | 2014-10-07T14:47:07Z | |
dc.date.available | 2014-10-07T14:47:07Z | |
dc.date.issued | 2014-06-27 | |
dc.identifier.uri | http://hdl.handle.net/1842/9482 | |
dc.description.abstract | This thesis presents research into the history and contemporary context of brass
bands in the Scottish Borders. It discusses how the survival of the brass bands in the
Scottish Borders can be accounted for over the last 150 years, in particular with
regard to the continuity of their interaction with the community which has enabled
them to overcome cultural, social and demographic changes. The textile industry
which provided a stimulus for the formation of the brass bands in the nineteenth
century has largely disappeared, but the traditional role of the bands has been carried
forward to the present day.
Previous study of the social and cultural history of the brass band movement
has concentrated on the history of brass banding in the North of England. Although
research into the history of brass bands has been carried out in other areas of Britain
such as the South of England this is the first in-depth study of these bands in a region
of Scotland. This research follows previous studies of amateur music-making in
specific locations by studying in detail the brass bands that exist in seven towns and
one village of the Scottish Borders where the bands can date their formation to the
mid-nineteenth century.
Historical and archival research has provided most of the data relating to the
first hundred years, including the use of individual band archives, local newspaper
archives and museum records. Ethnographic methods, including interviews and
participant observation, have provided the data for more recent times. Details of
brass band repertoires have been extracted from various sources including musical
examples taken from individual band libraries.
A central research finding is the strong relationship of the brass bands with
their local communities, particularly the support given to the bands by local people
and the way in which the bands support their communities by providing music for
civic and community events. The close relationship of the brass bands with their
local communities has been fundamental in providing the means by which the bands
have been sustained over time. There is a strong Scottish Borders identity that links
the towns, especially through family ties, and this is also found in a musical
repertoire with songs that are specifically connected to the region and to individual
towns. By playing this music for civic and community events, especially at the time
for the Common Ridings which are annual events unique to the Scottish Borders, the
brass bands have provided a service to the community which has ensured their
survival. | en_US |
dc.language.iso | en | en_US |
dc.publisher | The University of Edinburgh | en_US |
dc.relation.hasversion | French, G. & Belleville, K. (2010) On, St. Ronan’s, On!: Celebrating 200 years of Scotland’s Oldest Band. Selkirk: Bordersprint Ltd. ISBN: 978-0-9561075-2-7 | en_US |
dc.relation.hasversion | French, G. (2013). Follow the Band: The Role and Function of Community Brass Bands in the Scottish Borders Common Ridings. In Taking Part in Music: Case Studies in Ethnomusicology. Elphinstone Institute Occasional Publications 9 (Aberdeen: Elphinstone Institute, University of Aberdeen, in association with the European Seminar in Ethnomusicology, 2013), pp. 235-253. | en_US |
dc.subject | brass bands | en_US |
dc.subject | Scottish Borders | en_US |
dc.subject | music in the community | en_US |
dc.title | Follow the band : community brass bands in the Scottish Borders | en_US |
dc.type | Thesis or Dissertation | en_US |
dc.type.qualificationlevel | Doctoral | en_US |
dc.type.qualificationname | PhD Doctor of Philosophy | en_US |