Praying to a French God: liturgy, anthropology and phenomenology
Item Status
Embargo End Date
Date
Authors
Wardley, Kenneth Jason
Abstract
This thesis aims to bring to wider attention the work of the Parisian theologian and
philosopher Jean-Yves Lacoste (part of the so-called ‘theological turn’ in French
phenomenology).
Lacoste (whose most recent work, Etre en Danger (2011), articulates what he
describes as a ‘phenomenology of the spiritual life’), has previously published
monographs in the phenomenology of liturgy (Expérience et l’absolu: Questions
disputées sur l'humanité de l'homme, 1994; ET: Experience and the Absolute:
Disputed Questions on the Humanity of Man, 2004); hope and eschatology (Note sur
le temps: essai sur les raisons de la mémoire et de l'espérance, 1990); philosophy and
aesthetics (Le monde et l'absence d'oeuvre, 2000); and phenomenology and theology
(Présence et parousie, 2006; Phénoménalité de Dieu, 2008). As a phenomenologist
Lacoste is concerned with investigating the human aptitude for experience; as
theologian Lacoste is interested in humanity’s potential for a relationship with the
divine, what he terms the ‘liturgical relationship’ (where ‘liturgical’ implies more than
simply worship writ large but refers instead to a specific anthropology, that of an
existence lived and conducted ‘before God’, coram Deo).
Beginning from the proposition that prayer is a theme that occurs throughout
Lacoste’s writing, the dissertation employs that as a heuristic through which to view,
interpret and critique his thought by offering a thematic study of prayer as it appears
in his published works. It will look at issues that impact upon the ‘spiritual life’ such
as boredom and fatigue, and include the following topics: ambiguity, rumour and the
absurd; utopia and fantasy; body, flesh and spirit; silence; time, anarchy and flux. The
dissertation is, in part, also an answer to the question as to what kind of theology might be written in response to and in dialogue with Lacoste, by examining some
previously overlooked themes in and influences upon his work.
This item appears in the following Collection(s)

