Edinburgh Research Archive

Poetry and nature in Kant’s aesthetics: on why poetry is the highest of all the arts

dc.contributor.advisor
Cohen, Alix
en
dc.contributor.author
Fumagalli, Laura
en
dc.date.accessioned
2019-07-02T09:46:21Z
dc.date.available
2019-07-02T09:46:21Z
dc.date.issued
2018
dc.description.abstract
This dissertation will explore some of the reasons why poetry is ranked as the highest of all the arts in Kant’s aesthetics and what is the relation between nature and poetry. The central thesis is that poetry is the most beautiful art because it is made of language. It will be shown that poetry possesses free beauty and that pure judgments of taste in poetry are possible. Besides, poetry is the only art that originates entirely from the genius, because it shares the same language of the understanding, which, alongside imagination, constitutes the genius. Finally, poetry is the only art in which aesthetic ideas are in full power and can be fully expressed. This happens because language is pushed to its limits and is freed from conceptual constraints.
en
dc.identifier.uri
http://hdl.handle.net/1842/35659
dc.language.iso
en
dc.publisher
The University of Edinburgh
en
dc.subject
Kant
en
dc.subject
aesthetics
en
dc.subject
poetry
en
dc.subject
nature
en
dc.subject
language
en
dc.title
Poetry and nature in Kant’s aesthetics: on why poetry is the highest of all the arts
en
dc.type
Thesis or Dissertation
en
dc.type.qualificationlevel
Masters
en
dc.type.qualificationname
MSc Master of Science
en

Files

This item appears in the following Collection(s)