How the body conducts music : exploring head movements in two classical guitar performances
dc.contributor.advisor
Lee, Dave
en
dc.contributor.author
Rodger, Matthew
en
dc.date.accessioned
2008-07-10T13:41:03Z
dc.date.available
2008-07-10T13:41:03Z
dc.date.issued
2006
dc.description.abstract
Musical sounds and the body are interdependently linked in music performance. The
key to musical expression lies in the way the body conducts music over time. In this
study, General Tau Theory (Lee, 2005) was used as a theoretical framework to
explore the head movements made by a classical guitarist during two performances.
The musician’s head movements were analysed in conjunction with sound intensity
and temporal features of the music. Differences in expression between the
performances were established by listeners’ ratings of audio recordings. Tau-G guided
head movements were not found to be related to intensity glides of individual notes,
and the tau-coupling constant (k) did not vary between expressively different
performances. Significant differences between the two performances in tau-guided
head movement timing and musical tempo characteristics suggest that the body’s role
in musical expression lies in expressive timing. However, limitations in this study
prevent firm conclusions being drawn from these results. Ways of eliminating these
defects are discussed and future directions for the application of Tau Theory to body
movement in music are identified.
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dc.format.extent
317370 bytes
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dc.format.mimetype
application/pdf
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dc.identifier.uri
http://hdl.handle.net/1842/2364
dc.language.iso
en
dc.subject
musical expresssion
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dc.subject
General Tau theory
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dc.subject
body movements
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dc.title
How the body conducts music : exploring head movements in two classical guitar performances
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dc.type
Thesis or Dissertation
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dc.type.qualificationlevel
Undergraduate
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dc.type.qualificationname
Undergraduate
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dcterms.accessRights
Restricted Access
en
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