Little mouse: a journey. The making of a picture-book artwork
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Abstract
The picture book is an artistic medium is part of literature, especially of children’s literature.
This discussion of the picture book extends to the dynamic between author and illustrator, and
interactions between the verbal and the visual, as described by contemporary researchers, such
as Maria Nikolajeva, Lawrence R. Sipe, and Carole Scott. Most of them were not picture book
creators, so the voice of the picture book’s creator is easily overlooked. To fill the gap between
the researcher and the creator, this project explores the creative process of the picture book by
studio-art research.
This project is concerned with the creation process of a picture book, presenting a coherent
overview of an approach to creating an artist’s picture book, especially in the idea of
development through both visual and narrative by two methods: research and practice. This
thesis demonstrates my framework of creating an artistic picture book, Little Mouse. Chapter
one discusses the methodology of the studio-art research, compares practical-led research and
practical-based research, and identifies my multicultural background, to set the foundation of
this project. In Chapter two, I applied a part of practical-led methodology to adapt and transfer
a range of sources from history, theory, literature and popular culture to build up and enhance
the depth of my concept of Little Mouse, which encompasses and analyses my core interest -
a life-changing journey. Chapter three discusses how I applied practical-based methodology
to reflect the progress of the practical work of making Little Mouse, particularly focusing on
how framed a fiction story, and discussing step by step my approach to illustration practice. In
the last chapter, I tested my potential readers to review whether my work succeeded in
communicating and delivering my visual research in the form of my finished book.
This project hybridizes multicultural sources to form a contemporary picture book which blurs
the boundaries between illustrator/writer and reality/fiction. This also provides a case study of
the picture book for bridging research and picture book’s creator and demonstrates a process
of understanding and interpreting creative activities.
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