Head Chop: Acéphale and community in the works of Bataille, Blanchot, and Nancy.
dc.contributor.advisor
Fusco, Maria
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dc.contributor.advisor
Smith, Dominic
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dc.contributor.author
Fletcher, Joseph Daniel
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dc.date.accessioned
2018-06-19T09:46:26Z
dc.date.available
2018-06-19T09:46:26Z
dc.date.issued
2018-07-05
dc.description.abstract
Head Chop is a practice-led research project exploring the thinking of
community found within the works of Georges Bataille, Jean-Luc Nancy, and
Maurice Blanchot. Using the central exchange between Nancy and Blanchot, as
found in the triple intersection of texts composed of Nancy’s Inoperative
Community, Blanchot’s The Unavowable Community, and finally Nancy’s
recent The Disavowed Community, Head Chop draws upon the interfaces of
these three works to develop a reading of community.
Utilising the concept of fictioning, an imaging of possible worlds, as its
primary methodology, Head Chop develops a narrativised analysis of
community. The story of Acéphale, Bataille’s secret society, provides the
structuring fiction of the work. This story is developed from a synthesis of
fragmentary accounts of the Acéphale group’s sacrificial ambition, and the
illustrations of the Acéphale journal. The result is a tale of a human sacrifice
from which the being Acéphale subsequently arises.
In tracing the relation of the work of Nancy and Blanchot to the work of
Bataille, Head Chop draws attention to the role of the figure of Acéphale for
Bataille, and its subsequent insinuation in the work of Nancy and Blanchot. The
figure of Acéphale operates as an editorial device that structures and informs the
readings of these works as a common grounding and central problematic. This
situates the readings of Bataille, Nancy and Blanchot in a contested frame of reference by attempting to accommodate an alternate version of the sacrificial
event.
Head Chop finds a basis for its methodological investigation in Deleuze
and Guattari’s work What is Philosophy? Excising and developing a series of
figures and conceptual tools from the works of Nancy, Blanchot and Bataille,
Head Chop develops a crossing of these figures and concepts as characters
within the broader narrative of Acéphale.
Following this methodological approach, Head Chop traces series of
connected concepts in the works of Nancy and Blanchot. In developing these
connections in relation to the Acéphale narrative, conceptual structures engaged
in the thinking of community are drawn out into the broader contexts of Nancy
and Blanchot’s work. These connections are traced in Nancy through addressing
such notions as the deconstruction of the subject, the question of authenticity in
Heidegger, a re-reading of Heideggeran ontology that privileges Mitsein, and
the singular plural. In Blanchot conceptual connections are similarly traced,
beginning from the foundational role of the other, the challenging passion of
lovers, through to death, unworking, and the question of testimony.
In developing a narrativised analysis of the figure of Acéphale, Head
Chop aims to open new channels of inquiry into the concept of community as it
arises between the works of Bataille, Blanchot and Nancy.
Research questions:
How does a re-imaging of the Acéphale story, in which Acéphale is
begotten, engage with Bataille, Nancy and Blanchot’s readings of community?
What is to be gained from the use of a re-imagined Acéphale story in a
thinking of community?
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dc.identifier.uri
http://hdl.handle.net/1842/31200
dc.language.iso
en
dc.publisher
The University of Edinburgh
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dc.subject
Georges Bataille
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dc.subject
Jean-Luc Nancy
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dc.subject
Maurice Blanchot
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dc.subject
community
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dc.subject
narrativised analysis
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dc.subject
Acéphale narrative
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dc.subject
Heidegger
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dc.subject
authenticity
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dc.subject
ontology
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dc.title
Head Chop: Acéphale and community in the works of Bataille, Blanchot, and Nancy.
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dc.type
Thesis or Dissertation
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dc.type.qualificationlevel
Doctoral
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dc.type.qualificationname
PhD Doctor of Philosophy
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