Crossing limits: liminality and transgression in contemporary Scottish fiction
dc.contributor.advisor
Jones, Carole
en
dc.contributor.advisor
Irvine, Robert
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dc.contributor.author
Hammer, Julia Maria
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dc.contributor.sponsor
other
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dc.date.accessioned
2018-01-11T14:20:52Z
dc.date.available
2018-01-11T14:20:52Z
dc.date.issued
2017-11-27
dc.description.abstract
In my thesis, I aim to show that a focus on liminality in contemporary Scottish
fictional texts illustrates underlying developments of relevant social phenomena with
regard to class issues, gender and sexual identity. The anthropological concept of
liminality looks at a situation of “being between”. The liminar faces a situation of
having to renegotiate their values and perceptions in order to proceed. Liminality
always involves the existence of limits which have to be transgressed and against
which the individual negotiates a personal situation. I further hypothesise that the
transgression of limits can be seen as an instrument to create order. I take an
anthropological approach to my thesis. Arnold van Gennep’s early studies on rites of
passage and Victor Turner’s study of liminality originate in the observation of tribe-internal,
social structures of personal development. Van Gennep assumes a tripartite
structure among which liminality is the middle stage, the phase in which the initiand
has to perform tasks to re-enter and become part of the community. Turner isolates
the middle stage and transfers this concept to western societies. This theory is taken
up and developed further by several literary critics and anthropologists. While the
transgression of limits is often regarded as a violation of those norms which regulate
societies, the transgression of limits in a rite of passage and connected with liminality
is a vital aspect and socially necessary. Several concepts are related to this theory,
which will play a major role in my thesis: Turner’s permanent liminality, Mikhail
Bakhtin’s carnivalesque as well as Foucault’s transgression. In the first chapter, I
contrast two of Alasdair Gray’s novels, stating that the most powerful message of
social and capitalist criticism is not just visible on the surface of the hyperbolic texts,
but particularly prominent in liminal passages. The theories of Bakhtin and Turner
plays the most important role in this chapter. In the second chapter, A. L. Kennedy’s
novels are contrasted. In So I am Glad a difficult psycho-social issue is solved by a
liminal trigger-figure, Paradise is an example of the destructive and restrictive
effects of permanent liminality. In chapter three, I deal with the issue of passing and
an individual redefinition of gender identity. The performativity of masculinity
reveals ambiguous definitions of gender and morale. The Wasp Factory portrays a
form of masculinity which has destructive effects on the individual and its
environment. It is the tension in the liminal situation of a gender myth, a brutally
performed masculinity and the character’s biological sex which expresses a harsh
criticism of society’s definition of masculinity. In Trumpet, the binary model of
gender is questioned. The text suggests a different definition of identity as fluid,
passing between the two ‘extremes’, formulating the possibility of a state of being
‘something in-between’. It is the confrontation with this ‘otherness’ which provokes
a wave of rejection and protest in the environment of the individual passing as a
member of the ‘other sex’. In this case, it is not the obvious liminal individual, but
his son who undergoes a process of change and thus a process of renegotiating his
strict value system. The final chapter deals with liminal spaces and how these reflect
and support the internal development which the protagonists undergo. The choice of
Orkney as a mystical place and the fictional setting in a war game show that liminal
spaces – both real and fictitious – trigger a personal development and reconnect
present day life in Scotland with historical events which have had a shaping role for
Scottish and European life.
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dc.identifier.uri
http://hdl.handle.net/1842/25923
dc.language.iso
en
dc.publisher
The University of Edinburgh
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dc.subject
transgression
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dc.subject
liminality
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dc.subject
Scottish
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dc.subject
Arnold van Gennep
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dc.subject
Victor Turner
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dc.subject
rite of passage
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dc.title
Crossing limits: liminality and transgression in contemporary Scottish fiction
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dc.type
Thesis or Dissertation
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dc.type.qualificationlevel
Doctoral
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dc.type.qualificationname
PhD Doctor of Philosophy
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