Where are all the bodies buried? Towards a creative-relational inquiry
dc.contributor.advisor
Wyatt, Jonathan
dc.contributor.advisor
Murray, Fiona
dc.contributor.author
Gillott, Andrew Mark
dc.date.accessioned
2023-05-19T14:54:17Z
dc.date.available
2023-05-19T14:54:17Z
dc.date.issued
2023-05-19
dc.description.abstract
This thesis attempts a step towards a postqualitative and creative-relational line of inquiry. That is to say, a mode of inquiry that thinks with the posthumanities (post- structure, post-phenomena, post-representation, post-human). A mode that makes a move towards an embodied, experience-near inquiry that cherishes its relationship with theory and is explicit and open about the process of that inquiry.
Framed as three encounter-events, I read-think-write of, with, and into the strange intimacies of these [inci]dents, the unfamiliar feelings, and their force- full expression. I follow a transversal line, re/locating these affects as recondite ‘mo[ve]ments:’ conceptions of moving bodies moving bodies — a communion between people, objects, spaces, and atmospheres — as entanglements of movement and moment, on and at the scale of experience. These are peculiar mo[ve]ments that evade parsing into recognisable, corpo-affective dimensions of intimacy and that enlarge the milieu of the encounter, articulate the extension of the event, and pay attention to that which moves across experience, but that nonetheless evades the frame.
I characterise the rendering of these encounter-events as experi[e]ments. Each a queer chemistry provoked by the haeccetic mo[ve]ments of each encounter-event. I put concepts to work, construing ideas and notions from an array of scholars whom I identify as being loosely, tightly, or otherwise in agencement with Deleuzian and DeleuzoGuattarian thought. Foremost, I follow the [particularly] Deleuzian line that is the conception of concepts themselves. I create concepts as I go, moved by Deleuze’s provocation that concept-making is a creative — and eventful — act. I fabricate mobile, elastic, and playful concepts that are animated by the feelings of a mo[ve]ment (and contrariwise). In doing so, I attempt to offer a [singularly] detailed, and close-up line of inquiry in the midst of bodies and their relations: a hematic, sanguinary, visceral, and affective account of the encounter; the felt feeling of bodies happening as a sensuous event.
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dc.identifier.uri
https://hdl.handle.net/1842/40593
dc.identifier.uri
http://dx.doi.org/10.7488/era/3358
dc.language.iso
en
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dc.publisher
The University of Edinburgh
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dc.rights.embargodate
2027-05-19
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dc.subject
creative-relational inquiry
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dc.subject
posthumanities
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dc.subject
post- structure
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dc.subject
post-phenomena
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dc.subject
post-representation
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dc.subject
post-human
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dc.subject
corpo-affective dimensions
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dc.subject
Deleuzian thought
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dc.subject
DeleuzoGuattarian thought
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dc.title
Where are all the bodies buried? Towards a creative-relational inquiry
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dc.type
Thesis or Dissertation
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dc.type.qualificationlevel
Doctoral
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dc.type.qualificationname
PhD Doctor of Philosophy
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dcterms.accessRights
RESTRICTED ACCESS
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