John Skelton and the early Renaissance: a biographical and critical study
dc.contributor.author
Gordon, Ian A.
en
dc.date.accessioned
2018-09-13T15:57:38Z
dc.date.available
2018-09-13T15:57:38Z
dc.date.issued
1936
dc.description.abstract
en
dc.description.abstract
Skelton was an innovator of insufficiently recognised
but nevertheless profound originality, one of the greatest
anti-Romantics in English verse, a hard-headed practical poet
and a poetical realist. His limitations are easy to discover,
the result of deliberately chosen restrictions rather than
poetical blind spots. There is no Romance in his poetry, nothing
etherial or beyond the ordinary man's range of experience. But
there is much in his verse that is profoundly serious and
passionately thought out. The virtues of Skelton are those of
sincerity - directness of approach and a continuous contact with
reality:
en
dc.description.abstract
What though my stile be rude? /
With trouthe it is ennewde. /
Trouth ought to be rescude, /
Trouthe should nat be subdude.
en
dc.description.abstract
A few years after his death the flood-gates of Romance were
thrown open, and no one can blame late Tudor or Jacobean poetry
for ignoring such a resolute anti-Romantic. At the present day,
however, the decay of Romanticisrn has brought a re-appreciation
of the virtues of Skelton. He has much in his favour, powerful
verse-satire,graceful lyric measures,originality of attach and
incisive diction allied to a Shavian spirit of criticism and
Babelaisian powers of wit and vocabulary. How many poets can offer
such an original combination?
en
dc.identifier.uri
http://hdl.handle.net/1842/32323
dc.publisher
The University of Edinburgh
en
dc.relation.ispartof
Annexe Thesis Digitisation Project 2018 Block 20
en
dc.relation.isreferencedby
en
dc.title
John Skelton and the early Renaissance: a biographical and critical study
en
dc.type
Thesis or Dissertation
en
dc.type.qualificationlevel
Doctoral
en
dc.type.qualificationname
PhD Doctor of Philosophy
en
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