Becoming ecophronetic: three projects in radical improvisation
dc.contributor.advisor
Parker, Martin
dc.contributor.advisor
Greer, Stephen
dc.contributor.author
Kypridemos, George
dc.date.accessioned
2025-06-20T08:57:07Z
dc.date.available
2025-06-20T08:57:07Z
dc.date.issued
2025-06-20
dc.description.abstract
In this practice-led research, I set out to model instances of sonic ecophronesis. This new category of sound-making, documented through this effort, embodies an approach to sound shaped not by aesthetic considerations in the first instance but by the desire to contribute creatively to emergent social and cultural needs. As a sonic artist and improviser, I thus conceive of sound-making through the values of Aristotelian phronesis—or practical wisdom, enabling the one who practises it to understand ‘the right way to do the right thing in a particular circumstance, with a particular person, at a particular time’ (Schwartz & Sharpe, 2010, p. 5-6)—and, further, through the ecological reorientation of phronesis toward the common good as
‘ecophronesis’ (Xiang, 2016).
Throughout the thesis, I use a practice-as-research framework to afford a privileged view into the sonic ecophronetic nexus, paying particular attention to how processes of reflection and discernment drove my approach to creative practices during this research. Adopting these dimensions in working with sound enabled me to become a polymathic sound practitioner and improviser, navigating a range of disciplinary domains whilst aiming to make timely contributions to the communities to which I belong. In turn, as I analyse, this necessitated a critical view towards improvisation—the central practice with which I contended to meet specific goals in each project—contributing to its ‘radicalisation’, a process of reappraisal through which it became infused with new functions and fresh possibilities for its application in the world.
This timely project brings attention to the changing roles inhabited by sonic artists today, expanding conceptualisations of how artists can become vital contributors within a range of disciplines, such as decolonisation, knowledge production, politics and more.
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dc.identifier.uri
https://hdl.handle.net/1842/43589
dc.identifier.uri
http://dx.doi.org/10.7488/era/6123
dc.language.iso
en
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dc.publisher
The University of Edinburgh
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dc.subject
sonic ecophronesis
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dc.subject
practice-based research
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dc.subject
sound-making
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dc.subject
reflection and discernment
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dc.subject
improvisation
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dc.title
Becoming ecophronetic: three projects in radical improvisation
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dc.type
Thesis or Dissertation
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dc.type.qualificationlevel
Doctoral
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dc.type.qualificationname
PhD Doctor of Philosophy
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