Edinburgh Research Archive

Sounds in the empty spaces of history : re-placing Canadian and Scottish literatures

dc.contributor.author
Gittings, Christopher E.
en
dc.date.accessioned
2018-01-31T11:20:48Z
dc.date.available
2018-01-31T11:20:48Z
dc.date.issued
1993
dc.description.abstract
en
dc.description.abstract
Following Margaret Atwood's exhortation that "the study of Canadian literature ought to be comparative" (Survival 17), and in response to what post-colonial theorists Bill Ashcroft, Gareth Griffiths and Helen Tiffin have perceived as the surprising dearth of "cross-cultural comparative studies" in Canadian literary criticism (The Empire Writes Back 36), this thesis engages in a study of Canadian and Scottish narratives from a cross-cultural perspective that foregrounds colonization, and both countries' responses to cultural imperialism. Canadian and Scottish writers wrestle with what Neil Gunn's Highland River refers to as the "sounds in the empty spaces of history": the various and barely audible vibrations of narrative that are suppressed by the monolithic din of a hegemonic historiography (62). Starting with the Highland Clearances, a dynamic and intersecting moment for both Canadian and Scottish literatures, a continuing cross-cultural dialogue between Canada and Scotland is examined as this is inscribed in their literatures. Canada shares with Scotland not only the Gaelic and Lowland literary traditions she has embraced and adapted through Scottish emigration, but also the decolonizing response both have developed to American and English cultural incursions into their respective countries.
en
dc.description.abstract
The paradoxical role the Scot and the Canadian descendent of white European settler culture play as both an agent and victim of British imperialism—the colonizer and the colonized—is discussed with reference to the work of Neil Gunn, Alistair MacLeod, Alice Munro, Naomi Mitchison, Margaret Laurence, Alasdair Gray, Susan Swan, Margaret Atwood and Sheila Watson.
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dc.description.abstract
The thesis examines how the discursive strategies of irony, parody, metafiction and allegory feed into Canadian and Scottish writing as ways of circumventing and subverting hierarchical patterns of writing.
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dc.identifier.uri
http://hdl.handle.net/1842/26541
dc.publisher
The University of Edinburgh
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dc.relation.ispartof
Annexe Thesis Digitisation Project 2017 Block 15
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dc.relation.isreferencedby
Already catalogued
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dc.title
Sounds in the empty spaces of history : re-placing Canadian and Scottish literatures
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dc.type
Thesis or Dissertation
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dc.type.qualificationlevel
Doctoral
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dc.type.qualificationname
PhD Doctor of Philosophy
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