Sounds in the empty spaces of history : re-placing Canadian and Scottish literatures
dc.contributor.author
Gittings, Christopher E.
en
dc.date.accessioned
2018-01-31T11:20:48Z
dc.date.available
2018-01-31T11:20:48Z
dc.date.issued
1993
dc.description.abstract
en
dc.description.abstract
Following Margaret Atwood's exhortation that "the study of
Canadian literature ought to be comparative" (Survival 17), and in
response to what post-colonial theorists Bill Ashcroft, Gareth
Griffiths and Helen Tiffin have perceived as the surprising dearth of
"cross-cultural comparative studies" in Canadian literary criticism
(The Empire Writes Back 36), this thesis engages in a study of
Canadian and Scottish narratives from a cross-cultural perspective
that foregrounds colonization, and both countries' responses to
cultural imperialism. Canadian and Scottish writers wrestle with
what Neil Gunn's Highland River refers to as the "sounds in the empty
spaces of history": the various and barely audible vibrations of
narrative that are suppressed by the monolithic din of a hegemonic
historiography (62). Starting with the Highland Clearances, a
dynamic and intersecting moment for both Canadian and Scottish
literatures, a continuing cross-cultural dialogue between Canada and
Scotland is examined as this is inscribed in their literatures.
Canada shares with Scotland not only the Gaelic and Lowland literary
traditions she has embraced and adapted through Scottish emigration,
but also the decolonizing response both have developed to American
and English cultural incursions into their respective countries.
en
dc.description.abstract
The paradoxical role the Scot and the Canadian descendent of
white European settler culture play as both an agent and victim of
British imperialism—the colonizer and the colonized—is discussed
with reference to the work of Neil Gunn, Alistair MacLeod, Alice
Munro, Naomi Mitchison, Margaret Laurence, Alasdair Gray, Susan Swan,
Margaret Atwood and Sheila Watson.
en
dc.description.abstract
The thesis examines how the discursive strategies of irony,
parody, metafiction and allegory feed into Canadian and Scottish
writing as ways of circumventing and subverting hierarchical patterns
of writing.
en
dc.identifier.uri
http://hdl.handle.net/1842/26541
dc.publisher
The University of Edinburgh
en
dc.relation.ispartof
Annexe Thesis Digitisation Project 2017 Block 15
en
dc.relation.isreferencedby
Already catalogued
en
dc.title
Sounds in the empty spaces of history : re-placing Canadian and Scottish literatures
en
dc.type
Thesis or Dissertation
en
dc.type.qualificationlevel
Doctoral
en
dc.type.qualificationname
PhD Doctor of Philosophy
en
Files
Original bundle
1 - 1 of 1
- Name:
- GittingsCE_1993redux.pdf
- Size:
- 45.36 MB
- Format:
- Adobe Portable Document Format
This item appears in the following Collection(s)

