Edinburgh Research Archive

Elephant will return to the veldt: narratives of nostalgia and self-continuity in the work of Murakami Haruki

dc.contributor.advisor
Perkins, Chris
dc.contributor.advisor
Parker, Helen
dc.contributor.author
Xuan, Ziwei
dc.date.accessioned
2025-11-12T10:29:49Z
dc.date.available
2025-11-12T10:29:49Z
dc.date.issued
2025-11-12
dc.description.abstract
Scholarship on Haruki Murakami’s oeuvre has noted, with some scepticism, the prominent role of nostalgia in his narratives of self-discovery in postmodern Japan. This criticism rests on two assumptions: that nostalgia is a negative psychological state, and that Murakami’s use of it in his work is therefore flawed. This thesis, however, argues for a more constructive evaluation of nostalgia and shows how in the past two decades, Murakami’s use of nostalgia has evolved into a pivotal mechanism for protagonists to reconstruct their self-identity and continuity. In his three most recent full-length novels – Colorless Tsukuru Tazaki and His Years of Pilgrimage (2013), Killing Commendatore (2017), and The City and Its Uncertain Walls (2023) – nostalgic narratives encourage individuals to reflect on their past with appreciation, channelling renewed confidence into the present, and facilitating the rewriting of new self-narratives necessary to address contemporary existential dilemmas and uncertainties. Driven by nostalgia, this narrative process not only enables individual self-reconstruction but may also serve as a reflection on Japan’s postwar tendency to sanitize and obscure war memories while suppressing individual voices in the pursuit of modernization. As such this thesis argues that rather than a critical weakness of Murakami’s work, nostalgia, and the identity narratives it produces could be crucial tools for critically engaging with the legacies of post-war Japan.
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dc.identifier.uri
https://hdl.handle.net/1842/44173
dc.identifier.uri
http://dx.doi.org/10.7488/era/6697
dc.language.iso
en
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dc.publisher
The University of Edinburgh
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dc.subject
Nostalgia
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dc.subject
Self-identity
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dc.subject
Self-continuity
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dc.subject
Narratives
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dc.subject
Post-war Japan
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dc.title
Elephant will return to the veldt: narratives of nostalgia and self-continuity in the work of Murakami Haruki
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dc.title.alternative
The elephant will return to the veldt: narratives of nostalgia and self-continuity in the work of Murakami Haruki
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dc.type
Thesis or Dissertation
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dc.type.qualificationlevel
Doctoral
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dc.type.qualificationname
PhD Doctor of Philosophy
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