Burden of valour: the hero and the terrorist-villain in post- 9/11 popular fiction
dc.contributor.advisor
Booth, Marilyn
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dc.contributor.advisor
Smith, Alexandra
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dc.contributor.author
Mohamad, Lina
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dc.date.accessioned
2016-11-07T13:13:24Z
dc.date.available
2016-11-07T13:13:24Z
dc.date.issued
2015-07-02
dc.description.abstract
My research is a literary study which primarily examines previously unstudied
best-selling action-thriller fiction primary material from the US, Britain and Russia
(published in the decade following the 11 September 2001 attacks) in the contexts of
hegemonic masculinity and Self and Other stereotyping. I analyse thirteen works by the
following popular fiction authors: Vince Flynn, Daniel Silva, Nelson DeMille, Frederick
Forsyth and Danil Koretskiy. Drawing on masculinity studies and archetypal
psychology, I formulate the model of the archetypal hero – a character type which the
above authors‘ works capitalise on. I trace the employment of this model in these
primary works within the framework of constructing a positive and heroic image of the
Self, of which the action-thriller hero is the chief representative. The archetypal hero‘s
principal traits include courage, honour, individualism and just violence among others.
Heroes such as Mitch Rapp, Gabriel Allon, John Corey, Mike Martin, Max Kardanov
and Alexei Mal‘tsev embody this archetypal model and confirm it as positive and
dominant in their respective narratives. The authors also utilise a variety of framing
strategies to enhance their heroes‘ authoritativeness and characterisation. Among these
strategies, the use of historical facts and figures to anchor the narrative, enemy
acknowledgement of the hero‘s qualities and female characters‘ fulfilment of traditional
gender roles are the most prominent. First-person narration also plays a role in
enhancing authenticity, such as in DeMille‘s novels. While the heroes and the side they
represent are characterised as inherently positive and superior, their terrorist antagonists
fulfil the role of the essentialised and diametrically opposite Other. I demonstrate
through further analysis how these characters are positioned as archetypal terrorists,
embodying traits which are antithetical to the hero‘s: backwardness; hatred of modernity
and ‗civilisation‘; religion (Islam) as their source of hatred; desire for arbitrary revenge
and unjustified violence; hypocrisy and disloyalty. Having analysed the main archetypal
heroes and villains in the primary action-thriller works, I proceed to examine two
mainstream literary authors: American John Updike and Algerian Francophone Yasmina
Khadra. I study those of their novels which foreground terrorist characters instead of
archetypal heroes, thus analysing one novel by Updike (Terrorist) and two by Khadra
(Les Sirènes de Bagdad and L’Attentat). I find that, despite an increased focus on the
character of the budding teenage suicide bomber from New Jersey, Updike‘s
characterisation follows a pattern similar to the archetypal terrorist in the action-thriller
sources. On the other hand, Khadra achieves a more balanced and complex portrayal,
presenting his terrorists as human beings motivated by their various personal, social and
political grievances rather than blind religious hatred. In sum, only Khadra‘s narratives
transcend stereotypical views of terrorism, while the other post-9/11 primary works
(including Updike) focus on perpetuating binary oppositions of the Self and Other,
masculinity and emasculation. My original contribution to knowledge is the
identification, definition and comparative textual analysis of archetypal hero and
terrorist characters in post-9/11 action-thriller and mainstream fiction in three languages
(English, Russian and French) within a framework combining several elements: aspects
of the system of representation of the terrorist Other, masculinity studies and archetypal
psychology as well as the context of political and media post-9/11 views of Arabs and/or
Muslims in the US, Britain and Russia.
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dc.identifier.uri
http://hdl.handle.net/1842/17598
dc.language.iso
en
dc.publisher
The University of Edinburgh
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dc.rights.embargodate
2100-12-31
dc.subject
popular fiction
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dc.subject
post-9/11
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dc.subject
masculinity
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dc.subject
hero
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dc.subject
terrorism
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dc.title
Burden of valour: the hero and the terrorist-villain in post- 9/11 popular fiction
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dc.type
Thesis or Dissertation
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dc.type.qualificationlevel
Doctoral
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dc.type.qualificationname
PhD Doctor of Philosophy
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dcterms.accessRights
Restricted Access
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