Edinburgh Research Archive

African literacies and Western oralities? Communication complexities, the crality movement, and the materialities of Christianity in Uganda

dc.contributor.advisor
Stanley, Brian
en
dc.contributor.advisor
Haynes, Naomi
en
dc.contributor.advisor
Mitchell, Jolyon
en
dc.contributor.author
Coppedge, William Asbury
en
dc.date.accessioned
2019-07-23T14:40:06Z
dc.date.available
2019-07-23T14:40:06Z
dc.date.issued
2019-07-10
dc.description.abstract
This thesis investigates the complexities of communication within a contemporary local reception of Christianity. It considers how the Africa Gospel Church, a contemporary mission-founded Ugandan denomination, has appropriated particular oral communication methodologies into their literate-oriented pastoral training program. These communication methodologies derive from and are championed by the Orality Movement, an international evangelical mission network with strong Western affiliations. The research examines one case study in which a Ugandan denomination has had to decide how far it wishes to appropriate particular oral forms of communication as opposed to literate-based methods for the purposes of the dissemination and teaching of Christianity. Grounded in ethnographic research, the thesis explores issues related to how differing modes of communication form or fail to shape “modern” sensibilities by investigating how a local denomination’s leaders and members have responded to the implementation of oral Bible storytelling into the Church’s pastoral training program. To establish the historical context, consideration begins with an overview of Protestantism’s communication practices and the tension of navigating theological commitments to the biblical text and an evangelical impulse for oral proclamation. The Orality Movement is then introduced and attention given to the oral reformation that its proponents believe is still needed in contemporary Christianity. Discussion moves to an evaluation of early Ugandan Christianity’s close association with literacy and its development as well as an introduction to Africa Gospel Church. The thesis then presents and evaluates the ethnographic-based findings where assessment of this oral Bible storytelling phenomenon includes a rigorous comparison of the affordances and hindrances of orality, textuality, and digitality. A surprise that emerged from the research was the difference in value placed on the role of materiality in communication by the Church and mission personnel. Thus, the analysis incorporates insights drawn from religious materiality studies to understand how the Church has appreciated and critiqued orality in today’s “modern” communication mediascape. The thesis concludes that while orality offers embodied affective engagement, it fails to provide a material artefact. Members of the Orality Movement, who may have not always appreciated the complex way that communication modes, whether oral, print, or digital reliant, are embedded in historical socioeconomic imaginaries, have, at times, overlooked the significance of such a material artefact. Without an appreciation of this complex embedding, a limited understanding of communication has resulted that tends to divorce communication practice from the societal forces in which it seeks to operate. This misunderstanding has implications for understanding Christian identity, particularly in relation to contextual ideas about “modernity” in Uganda, but also in other similar Majority World contexts. The conclusions challenge static Western categorizations and expectations of local Majority World Christians. They also point towards a more integrated understanding of communication that cultivates an appreciation of the role of materiality in a broader religious socioeconomic discourse as well as taking into account societal anticipations of a flourishing “modern” African Church.
en
dc.identifier.uri
http://hdl.handle.net/1842/35832
dc.language.iso
en
dc.publisher
The University of Edinburgh
en
dc.relation.hasversion
Chiang, Samuel E., and William A. Coppedge, eds. "Arts & Orality Part 1: Foundations and Applications." Orality Journal: The Word Became Fresh 5, no. 1 (Spring 2016). https://orality.net/library/journals/volume-5-number-1/.
en
dc.relation.hasversion
Chiang, Samuel E., and William A. Coppedge, eds. "Arts & Orality Part 2: Equipping for Ministry." Orality Journal: The Word Became Fresh 5, no. 2 (Autumn 2016). https://orality.net/library/journals/volume-5-number-2/.
en
dc.subject
orality
en
dc.subject
materiality
en
dc.subject
materialized authority
en
dc.subject
materialized interpretation
en
dc.subject
materialized orality
en
dc.subject
Africa Gospel Church (AGC)
en
dc.subject
International Orality Network (ION)
en
dc.subject
Orality Movement
en
dc.subject
embodiment
en
dc.subject
material embodiment
en
dc.subject
affectivity
en
dc.subject
story
en
dc.subject
storytelling
en
dc.subject
biblical orality
en
dc.subject
Bible storytelling
en
dc.subject
World Gospel Mission (WGM)
en
dc.subject
social imaginaries
en
dc.title
African literacies and Western oralities? Communication complexities, the crality movement, and the materialities of Christianity in Uganda
en
dc.type
Thesis or Dissertation
en
dc.type.qualificationlevel
Doctoral
en
dc.type.qualificationname
PhD Doctor of Philosophy
en

Files

Original bundle

Now showing 1 - 1 of 1
Name:
Coppedge2019.pdf
Size:
5 MB
Format:
Adobe Portable Document Format