“Prized by the tourist”: souvenir books in Victorian Scotland
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Abstract
Scotland has been a popular tourist destination for over two centuries, with
an intensely romantic reputation that persists to this day. This thesis argues that in
the mid-Victorian era, this reputation was developed and perpetuated by books
published in Scotland as tourist souvenirs. It combines methodologies from literary
criticism, literary tourism studies, and book history. It argues that souvenir books
were central to a touristic process of semiotic meaning-making, as they provided the
foundations for tourist-readers’ retrospective interpretations of their travels. This
thesis identifies souvenir books as a distinct genre, with its own publishing and
reception history. Chapter One discusses mauchline ware bookbindings, to show
how the representational rhetoric used by souvenirs evolved in an increasingly
commercial and industrial era. Chapter Two shows that Scottish publishers’ frequent
reuse of illustrations in different books perpetuated stereotypes contained in those
illustrations. The recycled images also generated a reading community, similar to but
distinctly different from communities that coalesced around mass media
environments later in the century. Chapter Three focuses on souvenir editions of The
Lady of the Lake and Marmion illustrated with photographs. These editions furthered
and materialized some of Sir Walter Scott’s work in the poetry, using realistic detail
to support romanticized narratives of Scottish history. Chapter Four shows how
souvenir books allowed tourists to display cultural capital by associating themselves
with Queen Victoria, or by depicting Scottish tourism as an intellectual enterprise.
The Unionist attitudes in these souvenirs allowed tourists using them as markers of
class identity to simultaneously navigate national identities. Overall, this thesis
argues that souvenir books played a crucial role in establishing Scotland’s romantic
reputation. It also makes contributions to Scottish publishing history, and provides a
model for the analysis of souvenir books that may be useful to studies of other
regions or eras.
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