Edinburgh Research Archive

Spectral spaces: approaching dimensional colour through sculptural practice

dc.contributor.advisor
McLachlan, Fiona
dc.contributor.advisor
Bastian, Michelle
dc.contributor.advisor
Birrell, Ross
dc.contributor.advisor
Lycouris, Sophia
dc.contributor.author
Kovanova, Yulia
dc.contributor.sponsor
University of Edinburgh: Edinburgh College of Art Scholarship
en
dc.date.accessioned
2025-08-20T13:07:58Z
dc.date.available
2025-08-20T13:07:58Z
dc.date.issued
2025-08-20
dc.description.abstract
In this practice-based research, I investigate how colour can function as a dynamic, formative element of sculpture and sculptural installation. Drawing on colour theory and the concept of ‘entanglement’ from environmental humanities and multispecies studies, I explore the relational and dimensional nature of colour. By entering a sculptural space through colour, I map out the different material-chromatic states that sculpture can take, positioning colour as a driving force in both the evolution of sculpture and the cultivation of ecological awareness. I begin with the notion of colourform, which implies that colour can only be experienced in conjunction with form, to develop novel ways of thinking about colour in sculpture and working with colour sculpturally. Drawing on Karen Barad’s concept of ‘entanglement’ as ‘intra-action’, I develop the idea of intra-action of colour as a process through which colour emerges via dynamic intra-relations rather than in isolation. I explore the possibility of disentanglement and introduce the concept of colour extinction to examine how the loss of specific colour combinations in the natural world alters one’s aesthetic experience of the environment, and how this phenomenon can be investigated through sculpture. I consider this within the broader context of the current ecological crisis, particularly the ongoing mass extinction. Finally, I propose the idea of acchromatising, as the process and practice of gradual attunement towards a place and its multifaceted relationships through colour. Through the lens of sculptural practice, this thesis evidences how colour can play a pivotal role in reshaping our perceptions and interactions with our surroundings. Beyond sculpture, this approach encourages the development of ecological sensitivity and empathetic understanding towards the environments where human and non-human worlds coexist.
en
dc.identifier.uri
https://hdl.handle.net/1842/43838
dc.identifier.uri
http://dx.doi.org/10.7488/era/6369
dc.language.iso
en
en
dc.publisher
The University of Edinburgh
en
dc.relation.hasversion
Kovanova, Yulia. "Approaching Ecological Ambiguity through a Non-Divisionary Understanding of Colour in Art." Color Culture and Science Journal 12, no. 1 (2020): 82-88
en
dc.relation.hasversion
Kovanova, Yulia. "Chroma Calls: Attunement to Place Through Colour Intra-Action in Sculpture". Journal of the International Colour Association 31 (2022): 20-29
en
dc.relation.hasversion
Kovanova, Yulia. "Colour Out of Place: Extinction Explored Through Art Practice". In Proceedings of the AIC 2020 Interim Meeting on Natural Colours – Digital Colours, Avignon, France, November 26-27, 2020
en
dc.rights.embargodate
2026-08-20
en
dc.subject
sculpture
en
dc.subject
colourform
en
dc.subject
dimensional colour
en
dc.subject
intra-action of colour
en
dc.subject
acchromatising
en
dc.subject
extinction of colour
en
dc.subject
multispecies
en
dc.subject
entanglement
en
dc.subject
sculptural installation
en
dc.subject
practice-based research
en
dc.title
Spectral spaces: approaching dimensional colour through sculptural practice
en
dc.type
Thesis or Dissertation
en
dc.type.qualificationlevel
Doctoral
en
dc.type.qualificationname
PhD Doctor of Philosophy
en
dcterms.accessRights
RESTRICTED ACCESS
en

Files

Original bundle

Now showing 1 - 1 of 1
Name:
KovanovaY_2025.pdf
Size:
81.66 MB
Format:
Adobe Portable Document Format
Description:

This item appears in the following Collection(s)